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	<title>The Daleks' Master Plan - Revision history</title>
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	<updated>2026-04-27T06:02:13Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>http://96.30.16.219/index.php?title=The_Daleks%27_Master_Plan&amp;diff=29818&amp;oldid=prev</id>
		<title>Jon Preddle at 01:30, 27 April 2026</title>
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		<updated>2026-04-27T01:30:10Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 01:30, 27 April 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{episodes|V|3|1|13 Nov 1965 to 29 Jan 1966|The Myth Makers|The Massacre|}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{episodes|V|3|1|13 Nov 1965 to 29 Jan 1966|The Myth Makers|The Massacre|}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[File:DMP Cutting Copy&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;jpg|right|thumb|400px|Master Plan episode 1 with a Cutting Copy label returned in 2026]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The serial was planned as a 12-parter. However, from the stage directions in the rehearsal and camera scripts for parts six and seven, particularly with regards to the &amp;quot;NEXT EPISODE&amp;quot; captions, it would seem that by the time the serial was '''made''', it was being treated as an 11-parter (the serial would be sold as such to foreign broadcasters), but with an additional episode screened at Christmas, but only for consumption in the UK; and as such, the Christmas-themed part seven was never telerecorded. (Since telerecording machines needed to be booked weeks in advance, and with the episode going out on Christmas Day when no TR machine operators would be on duty, the episode could not be TRed during broadcast, as was the norm for '''Doctor Who''' in 1965. Although Enterprises could have had the episode TRed from the master video tape at a later date, it's clear that a firm decision to exclude the episode from foreign sale had been made by them many months earlier.)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The serial was planned as a 12-parter. However, from the stage directions in the rehearsal and camera scripts for parts six and seven, particularly with regards to the &amp;quot;NEXT EPISODE&amp;quot; captions, it would seem that by the time the serial was '''made''', it was being treated as an 11-parter (the serial would be sold as such to foreign broadcasters), but with an additional episode screened at Christmas, but only for consumption in the UK; and as such, the Christmas-themed part seven was never telerecorded. (Since telerecording machines needed to be booked weeks in advance, and with the episode going out on Christmas Day when no TR machine operators would be on duty, the episode could not be TRed during broadcast, as was the norm for '''Doctor Who''' in 1965. Although Enterprises could have had the episode TRed from the master video tape at a later date, it's clear that a firm decision to exclude the episode from foreign sale had been made by them many months earlier.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*'''The Daleks' Master Plan''' &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;should &lt;/del&gt;therefore be regarded as an 11-parter with a special Christmas episode '''added''' for UK viewers, rather than as a 12-parter, with an episode '''removed''' from foreign sale. Or put another way, it's an 11-parter which, after its sixth episode on 18 December 1965, took a fortnight's break before resuming on New Years Day 1966; meanwhile its replacement on 25 December 1965 was a one-off episode of '''Doctor Who'''...&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*'''The Daleks' Master Plan''' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;could &lt;/ins&gt;therefore be regarded as an 11-parter with a special Christmas episode '''added''' for UK viewers, rather than as a 12-parter, with an episode '''removed''' from foreign sale. Or put another way, it's an 11-parter which, after its sixth episode on 18 December 1965, took a fortnight's break before resuming on New Years Day 1966; meanwhile its replacement on 25 December 1965 was a one-off episode of '''Doctor Who'''...&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The 11-part serial (minus the Christmas 'special') was offered to [[Australia]] in '''March 1966''', along with [[Galaxy 4]], [[Mission to the Unknown]], and [[The Myth Makers]].   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The 11-part serial (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;i.e. &lt;/ins&gt;minus the Christmas 'special') was offered to [[Australia]] in '''March 1966''', along with [[Galaxy 4]], [[Mission to the Unknown]], and [[The Myth Makers]].   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;It &lt;/del&gt;was &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;viewed &lt;/del&gt;by the Australian censors on '''13 September 1966''' - and rated with a mixture of &amp;quot;G&amp;quot; and &amp;quot;A&amp;quot; classifications, with and without cuts.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;After a long delay because all 11 episodes had to be viewed in a single session, it &lt;/ins&gt;was &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;assessed &lt;/ins&gt;by the Australian censors on '''13 September 1966''' - and rated with a mixture of &amp;quot;G&amp;quot; and &amp;quot;A&amp;quot; classifications, with and without cuts.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The ABC had already started screening season 3 at that stage, so after [[The Myth Makers]] they filled the schedule with a run of repeats, while they awaited a final decision. But by the end of '''November 1966''' the ABC had ultimately decided against attempting to &amp;quot;reconstruct&amp;quot; the films&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;since the &amp;quot;A&amp;quot; classifications on some of the episodes that didn't have cuts would prevent them from screening the serial in their preferred early evening timeslot anyway. They recommenced screening season 3 starting with [[The Massacre]] in mid-'''December'''...&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The ABC had already started screening &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the early &lt;/ins&gt;season 3 &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;serials &lt;/ins&gt;at that stage, so after [[The Myth Makers]] they filled the schedule with a run of repeats, while they awaited a final decision. But by the end of '''November 1966''' the ABC had ultimately decided against attempting to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;edit and &lt;/ins&gt;&amp;quot;reconstruct&amp;quot; the films since the &amp;quot;A&amp;quot; classifications on some of the episodes that didn't have cuts would prevent them from screening the serial in their preferred early evening timeslot anyway. They recommenced screening season 3 starting with [[The Massacre]] in mid-'''December'''...&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*While all this was happening, Terry Nation withdrew all the Dalek stories from sale.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*While all this was happening, Terry Nation withdrew all the Dalek stories from sale &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(although this edict did not affect sales that were already underway)&lt;/ins&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* After &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;lodging &lt;/del&gt;an unsuccessful appeal to the censorship board, [[BBC Sydney]] officially &amp;quot;wrote off&amp;quot; selling the serial to the ABC in '''March 1967'''. And since the ABC did not purchase the rights to screen it, they did not make any clearance payments to the BBC.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* After an unsuccessful appeal to the censorship board, [[BBC Sydney]] officially &amp;quot;wrote off&amp;quot; selling the serial to the ABC in '''March 1967'''. And since the ABC did not purchase the rights to screen it, they did not make any clearance payments to the BBC.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*A few months later, [[Barbados]] purchased Season 3 (see October 1967 newspaper clipping on that page); [[Mission to the Unknown]] and The Daleks' Master Plan were not available because of the Australian rejection and moratorium. It's therefore highly unlikely that the BBC would have struck any further prints of the serial in 1966 while they were awaiting word on whether a sale had been made to Australia, and certainly not during 1967 when the Dalek serials were off the catalogue. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*A few months later, [[Barbados]] purchased Season 3 (see October 1967 newspaper clipping on that page); [[Mission to the Unknown]] and The Daleks' Master Plan were not available because of the Australian rejection and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Nation's &lt;/ins&gt;moratorium. It's therefore highly unlikely that the BBC would have struck any further prints of the serial in 1966 while they were awaiting word on whether a sale had been made to Australia, and certainly not during 1967 when the Dalek serials were off the catalogue.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;It is not known what &lt;/del&gt;happened to the Australian prints&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;. &lt;/del&gt;The ABC did not 'own' the prints -- in fact they never had them in their possession at all during the processes described above. In all likelihood, they'd have been returned to the BBC's Sydney office, and were subsequently shipped back to London.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*See '''FURTHER POINTS TO CONSIDER''' below... &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*What &lt;/ins&gt;happened to the Australian prints&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;? &lt;/ins&gt;The ABC did not 'own' the prints -- in fact they never had them in their possession at all during the processes described above. In all likelihood, they'd have been returned to the BBC's Sydney office, and were subsequently shipped back to London&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;... (see below)&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The '''[http://genome.ch.bbc.co.uk/f60bee360975472895cd4a6c394e6bce 25 October 1971''' edition of '''Blue Peter'''] used an extract from part 3, so it's clear that the BBC had or struck a print of that episode (at least) in 1971.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The '''[http://genome.ch.bbc.co.uk/f60bee360975472895cd4a6c394e6bce 25 October 1971''' edition of '''Blue Peter'''] used an extract from part 3, so it's clear that the BBC had or struck a print of that episode (at least) in 1971.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**NOTE: What is particularly curious about this clip is the clip itself. '''Blue Peter''' wanted to show-case the appearance by one of its presenters in '''Doctor Who''', so what clip do they choose to show? One with the Daleks in their spaceship that leads directly into one of Peter Purves in the SPAR. It wasn't one with the Daleks and Steven in ''the same scene together'', which you'd think would be what they would go for if such a scene was available to them (and such scenes do occur in parts ten and twelve). Could it be, therefore, that by late 1971 the BBC did not actually have that many prints featuring Purves and the Daleks (not even part 3 or 6 of [[The Chase]]?), so the clip from part 3 was the best from what was already a poor selection?  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**NOTE: What is particularly curious about this clip is the clip itself. '''Blue Peter''' wanted to show-case the appearance by one of its presenters in '''Doctor Who''', so what clip do they choose to show? One with the Daleks in their spaceship that leads directly into one of Peter Purves in the SPAR. It wasn't one with the Daleks and Steven in ''the same scene together'', which you'd think would be what they would go for if such a scene was available to them (and such scenes do occur in parts ten and twelve). Could it be, therefore, that by late 1971 the BBC did not actually have that many prints featuring Purves and the Daleks (not even part 3 or 6 of [[The Chase]]?), so the clip from part 3 was the best from what was already a poor selection?  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*BBC Enterprises had junked all 11 telerecording master negatives at some point between 1972 and 1974.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*BBC Enterprises had junked all 11 telerecording master negatives at some point between 1972 and 1974.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*By '''mid-1973''', the BBC still retained prints of episodes 2,3, and 4 (at least), although these copies were sited at different locations around London: episode two &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;had been taken to &lt;/del&gt;the BBC's film studios in Ealing (from which it was &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;&lt;/del&gt;taken&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot; &lt;/del&gt;in 1973, and subsequently returned in 2004), whereas part three was at BBC Enterprises and four was kept in the film library. Part 4 was borrowed by the '''Blue Peter''' producers for use in their tenth anniversary clip montage (broadcast on '''[http://genome.ch.bbc.co.uk/a53c08f7455d4cf7824278f89380f326 5 November 1973]'''), but was never returned to its place of origin. At some point between '''1978''' and '''1983''', parts five and ten ended up in the basement of a Mormon church. Where they had been prior to 1978 is unknown. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Whether &lt;/del&gt;these &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;five &lt;/del&gt;prints were all part of the same set of 11 is unknown; nor is it known how they came to be separated in the first place.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*By '''mid-1973''', the BBC still retained prints of episodes 2,3, and 4 (at least), although these copies were sited at different locations around London: episode two &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;was at &lt;/ins&gt;the BBC's film studios in Ealing (from which it was taken &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;by a BBC employee &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/ins&gt;1973&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/ins&gt;, and subsequently returned in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/ins&gt;2004&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/ins&gt;), whereas part three was at BBC Enterprises and four was kept in the film library. Part 4 was borrowed by the '''Blue Peter''' producers for use in their tenth anniversary clip montage (broadcast on '''[http://genome.ch.bbc.co.uk/a53c08f7455d4cf7824278f89380f326 5 November 1973]'''), but was never returned to its place of origin.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*&lt;/ins&gt;At some point between '''1978''' and '''1983''', parts five and ten ended up in the basement of a Mormon church. Where they had been prior to 1978 is unknown. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;An examination of the film cans and labels in 2026 revealed notations and markings that clearly indicated &lt;/ins&gt;these &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;two came from [[Australia]], proving once and for all that the films sent to the ABC in 1966 were indeed returned to London. But whether any of these extant &lt;/ins&gt;prints were all part of the same set of 11 is unknown; nor is it known how they came to be separated in the first place&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*In all likelihood parts two, five and ten were from the set that had been sent to Australia in 1966 (and if so, had been returned to London years earlier than the 1975 bulk shipment of returns by the ABC)&lt;/ins&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**See our further musings on the [[Mormon Mystery|Mormon Church recovery here]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**See our further musings on the [[Mormon Mystery|Mormon Church recovery here]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;In all likelihood &lt;/del&gt;these were &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;all from &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;set that had been sent to Australia &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1966 (&lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;if so&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;had been returned to London years earlier than the 1975 bulk shipment &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;returns by the ABC), as it is difficult to comprehend why &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;BBC would have struck a second set &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;films for &lt;/del&gt;a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;story it could not sell&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;(It is a &lt;/del&gt;'''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;remote&lt;/del&gt;''' &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;possibility &lt;/del&gt;that &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Enterprises had &lt;/del&gt;struck &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;two sets in early 1966: one went &lt;/del&gt;to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;and remained in Australia, &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;other sat on &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;shelf in readiness for the second sale &lt;/del&gt;(&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;which would have been to &lt;/del&gt;[[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Barbados&lt;/del&gt;]] &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;in 1967) but by 1971 only a couple of these were still held, otherwise you'd think '''Blue Peter''' would have used a far better choice of clips in 1971..&lt;/del&gt;.)  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Within months of &lt;/ins&gt;these &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;two episodes being returned to the BBC, clips from them &lt;/ins&gt;were &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;used in the flashback sequence in part 2 of [[Resurrection of &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Daleks]], which was recorded &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;September &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;October 1983.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*In '''early 2026'''&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;prints &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;parts one and three were acquired from &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;estate &lt;/ins&gt;of a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;film collector&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Part one was labelled &lt;/ins&gt;'''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;CUTTING COPY&amp;quot;&lt;/ins&gt;'''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, suggesting &lt;/ins&gt;that &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;this (and possibly also part 3 which wasn't labelled) were technical review prints (&lt;/ins&gt;struck to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;check &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;quality of &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;original 1965 telerecording negatives) rather than subsequent broadcast copies that had been returned from overseas. &lt;/ins&gt;(&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;See &lt;/ins&gt;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The Ice Warriors&lt;/ins&gt;]] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;for more on &amp;quot;Cutting Copy&amp;quot; prints&lt;/ins&gt;.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* See also [[Hartnell Junkings]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* See also [[Hartnell Junkings]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''FURTHER POINTS TO CONSIDER''':&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''FURTHER POINTS TO CONSIDER''':&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*At the time the offer was made to [[Australia]] in early 1966, both [[Singapore]] and [[Gibraltar]] were coming to the end of their transmissions of season two&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;; &lt;/del&gt;the BBC &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;may &lt;/del&gt;have struck additional prints of this story in anticipation of a sale to those two countries. As it turned out, neither country picked up the option to continue with the series after [[The Time Meddler]]. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;(The two episodes found in 1983 may have been from a set of these unused 'additional' copies.) &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*At the time the offer was made to [[Australia]] in early 1966, both [[Singapore]] and [[Gibraltar]] were coming to the end of their transmissions of season two&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, however it's very unlikely that &lt;/ins&gt;the BBC &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;would &lt;/ins&gt;have struck additional prints of this story in anticipation of a sale to those two countries. As it turned out, neither country picked up the option to continue with the series after [[The Time Meddler]]. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Even if the serial '''had''' been accepted and broadcast in [[Australia]] in 1966, the two other countries screening season three at the time - [[Barbados]] and [[Zambia]] - would probably have been denied broadcast rights anyway, because by the end of that year, the BBC had withdrawn the sale of all Dalek serials as part of their agreement with Terry Nation.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Even if the serial '''had''' been accepted and broadcast in [[Australia]] in 1966, the two other countries screening season three at the time - [[Barbados]] and [[Zambia]] - would probably have been denied broadcast rights anyway, because by the end of that year, the BBC had withdrawn the sale of all Dalek serials as part of their agreement with Terry Nation.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*By the time &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the &lt;/del&gt;moratorium had been lifted at the end of 1967, only [[New Zealand]] and [[Sierra Leone]], which were still lagging behind with screening the series, would have been in a position to include and schedule the serial with the rest of season three, but since neither country did buy this (and [[Mission to the Unknown]]) it must have been the cost that prevented them from doing so... (The cost of a serial was on a &amp;quot;per episode&amp;quot; basis; at 11 episodes, this was quite an expensive serial to buy.)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*By the time &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;that &lt;/ins&gt;moratorium had been lifted at the end of 1967, only [[New Zealand]] and [[Sierra Leone]], which were still lagging behind with screening the series, would have been in a position to include and schedule the serial with the rest of season three, but since neither country did buy this (and [[Mission to the Unknown]]) it must have been the cost that prevented them from doing so... (The cost of a serial was on a &amp;quot;per episode&amp;quot; basis; at 11 episodes, this was quite an expensive serial to buy.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Both [[Barbados]] and [[Zambia]] had screened as far as [[The Smugglers]] by the end of 1968, and probably wouldn't have been interested in buying and screening a story out of sequence.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Both [[Barbados]] and [[Zambia]] had screened as far as [[The Smugglers]] by the end of 1968, and probably wouldn't have been interested in buying and screening a story out of sequence.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;And because &lt;/del&gt;[[Singapore]] did not purchase season three until 1972 (as a &amp;quot;back-catalogue&amp;quot; package)&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;it&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'s likely that &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;sales rights &lt;/del&gt;to the 11-parter &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;(usually five or seven years from first UK broadcast) had already lapsed and not been renewed by the end of 1971, &lt;/del&gt;which &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;would have &lt;/del&gt;prevented &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Singapore]] &lt;/del&gt;from buying the serial with the rest of the season.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Singapore]] did not purchase season three until 1972 (as a &amp;quot;back-catalogue&amp;quot; package) &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and &lt;/ins&gt;it &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;would have been &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;high cost &lt;/ins&gt;to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;purchase &lt;/ins&gt;the 11-parter which prevented &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;RTS &lt;/ins&gt;from buying the serial with the rest of the season.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jon Preddle</name></author>
		
	</entry>
	<entry>
		<id>http://96.30.16.219/index.php?title=The_Daleks%27_Master_Plan&amp;diff=29800&amp;oldid=prev</id>
		<title>Jon Preddle at 09:36, 9 April 2026</title>
		<link rel="alternate" type="text/html" href="http://96.30.16.219/index.php?title=The_Daleks%27_Master_Plan&amp;diff=29800&amp;oldid=prev"/>
		<updated>2026-04-09T09:36:08Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 09:36, 9 April 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l14&quot; &gt;Line 14:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 14:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**NOTE: What is particularly curious about this clip is the clip itself. '''Blue Peter''' wanted to show-case the appearance by one of its presenters in '''Doctor Who''', so what clip do they choose to show? One with the Daleks in their spaceship that leads directly into one of Peter Purves in the SPAR. It wasn't one with the Daleks and Steven in ''the same scene together'', which you'd think would be what they would go for if such a scene was available to them (and such scenes do occur in parts ten and twelve). Could it be, therefore, that by late 1971 the BBC did not actually have that many prints featuring Purves and the Daleks (not even part 3 or 6 of [[The Chase]]?), so the clip from part 3 was the best from what was already a poor selection?  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**NOTE: What is particularly curious about this clip is the clip itself. '''Blue Peter''' wanted to show-case the appearance by one of its presenters in '''Doctor Who''', so what clip do they choose to show? One with the Daleks in their spaceship that leads directly into one of Peter Purves in the SPAR. It wasn't one with the Daleks and Steven in ''the same scene together'', which you'd think would be what they would go for if such a scene was available to them (and such scenes do occur in parts ten and twelve). Could it be, therefore, that by late 1971 the BBC did not actually have that many prints featuring Purves and the Daleks (not even part 3 or 6 of [[The Chase]]?), so the clip from part 3 was the best from what was already a poor selection?  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*BBC Enterprises had junked all 11 telerecording master negatives at some point between 1972 and 1974.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*BBC Enterprises had junked all 11 telerecording master negatives at some point between 1972 and 1974.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*By '''mid-1973''', the BBC still retained prints of episodes 2,3, and 4 (at least), although these copies were sited at different locations around London: episode two had been taken to the BBC's film studios in Ealing (from which it was &amp;quot;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;stolen&lt;/del&gt;&amp;quot; in 1973, and subsequently returned in 2004), whereas part three was at BBC Enterprises and four was kept in the film library. Part 4 was borrowed by the '''Blue Peter''' producers for use in their tenth anniversary clip montage (broadcast on '''[http://genome.ch.bbc.co.uk/a53c08f7455d4cf7824278f89380f326 5 November 1973]'''), but was never returned to its place of origin. At some point between '''1978''' and '''1983''', parts five and ten ended up in the basement of a Mormon church. Where they had been prior to 1978 is unknown. Whether these five prints were all part of the same set of 11 is unknown; nor is it known how they came to be separated in the first place.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*By '''mid-1973''', the BBC still retained prints of episodes 2,3, and 4 (at least), although these copies were sited at different locations around London: episode two had been taken to the BBC's film studios in Ealing (from which it was &amp;quot;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;taken&lt;/ins&gt;&amp;quot; in 1973, and subsequently returned in 2004), whereas part three was at BBC Enterprises and four was kept in the film library. Part 4 was borrowed by the '''Blue Peter''' producers for use in their tenth anniversary clip montage (broadcast on '''[http://genome.ch.bbc.co.uk/a53c08f7455d4cf7824278f89380f326 5 November 1973]'''), but was never returned to its place of origin. At some point between '''1978''' and '''1983''', parts five and ten ended up in the basement of a Mormon church. Where they had been prior to 1978 is unknown. Whether these five prints were all part of the same set of 11 is unknown; nor is it known how they came to be separated in the first place.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**See our further musings on the [[Mormon Mystery|Mormon Church recovery here]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**See our further musings on the [[Mormon Mystery|Mormon Church recovery here]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*In all likelihood these were all from the set that had been sent to Australia in 1966 (and if so, had been returned to London years earlier than the 1975 bulk shipment of returns by the ABC), as it is difficult to comprehend why the BBC would have struck a second set of films for a story it could not sell. (It is a '''remote''' possibility that Enterprises had struck two sets in early 1966: one went to and remained in Australia, the other sat on the shelf in readiness for the second sale (which would have been to [[Barbados]] in 1967) but by 1971 only a couple of these were still held, otherwise you'd think '''Blue Peter''' would have used a far better choice of clips in 1971...)  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*In all likelihood these were all from the set that had been sent to Australia in 1966 (and if so, had been returned to London years earlier than the 1975 bulk shipment of returns by the ABC), as it is difficult to comprehend why the BBC would have struck a second set of films for a story it could not sell. (It is a '''remote''' possibility that Enterprises had struck two sets in early 1966: one went to and remained in Australia, the other sat on the shelf in readiness for the second sale (which would have been to [[Barbados]] in 1967) but by 1971 only a couple of these were still held, otherwise you'd think '''Blue Peter''' would have used a far better choice of clips in 1971...)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jon Preddle</name></author>
		
	</entry>
	<entry>
		<id>http://96.30.16.219/index.php?title=The_Daleks%27_Master_Plan&amp;diff=28907&amp;oldid=prev</id>
		<title>Jon Preddle at 20:51, 19 June 2024</title>
		<link rel="alternate" type="text/html" href="http://96.30.16.219/index.php?title=The_Daleks%27_Master_Plan&amp;diff=28907&amp;oldid=prev"/>
		<updated>2024-06-19T20:51:00Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 20:51, 19 June 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The serial was planned as a 12-parter. However, from the stage directions in the rehearsal and camera scripts for parts six and seven, particularly with regards to the &amp;quot;NEXT EPISODE&amp;quot; captions, it would seem that by the time the serial was '''made''', it was being treated as an 11-parter (the serial would be sold as such to foreign broadcasters), but with an additional episode screened at Christmas, but only for consumption in the UK; and as such, the Christmas-themed part seven was never telerecorded.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The serial was planned as a 12-parter. However, from the stage directions in the rehearsal and camera scripts for parts six and seven, particularly with regards to the &amp;quot;NEXT EPISODE&amp;quot; captions, it would seem that by the time the serial was '''made''', it was being treated as an 11-parter (the serial would be sold as such to foreign broadcasters), but with an additional episode screened at Christmas, but only for consumption in the UK; and as such, the Christmas-themed part seven was never telerecorded. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(Since telerecording machines needed to be booked weeks in advance, and with the episode going out on Christmas Day when no TR machine operators would be on duty, the episode could not be TRed during broadcast, as was the norm for '''Doctor Who''' in 1965. Although Enterprises could have had the episode TRed from the master video tape at a later date, it's clear that a firm decision to exclude the episode from foreign sale had been made by them many months earlier.)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;In other words, &lt;/del&gt;'''The Daleks' Master Plan''' should &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;really &lt;/del&gt;be regarded as an 11-parter with a special Christmas episode '''added''' for UK viewers, rather than as a 12-parter, with an episode '''removed''' from foreign sale. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Put &lt;/del&gt;another way, it's an 11-parter which, after its sixth episode on 18 December 1965, took a fortnight's break before resuming on New Years Day 1966; meanwhile its replacement on 25 December 1965 was a one-off episode of '''Doctor Who'''...&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*'''The Daleks' Master Plan''' should &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;therefore &lt;/ins&gt;be regarded as an 11-parter with a special Christmas episode '''added''' for UK viewers, rather than as a 12-parter, with an episode '''removed''' from foreign sale. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Or put &lt;/ins&gt;another way, it's an 11-parter which, after its sixth episode on 18 December 1965, took a fortnight's break before resuming on New Years Day 1966; meanwhile its replacement on 25 December 1965 was a one-off episode of '''Doctor Who'''...&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The 11-part serial (minus the Christmas 'special') was offered to [[Australia]] in '''March 1966''', along with [[Galaxy 4]], [[Mission to the Unknown]], and [[The Myth Makers]].   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The 11-part serial (minus the Christmas 'special') was offered to [[Australia]] in '''March 1966''', along with [[Galaxy 4]], [[Mission to the Unknown]], and [[The Myth Makers]].   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* It was viewed by the Australian censors on '''13 September 1966''' - and rated with a mixture of &amp;quot;G&amp;quot; and &amp;quot;A&amp;quot; classifications, with and without cuts.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* It was viewed by the Australian censors on '''13 September 1966''' - and rated with a mixture of &amp;quot;G&amp;quot; and &amp;quot;A&amp;quot; classifications, with and without cuts.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jon Preddle</name></author>
		
	</entry>
	<entry>
		<id>http://96.30.16.219/index.php?title=The_Daleks%27_Master_Plan&amp;diff=24153&amp;oldid=prev</id>
		<title>Jon Preddle at 02:38, 10 December 2019</title>
		<link rel="alternate" type="text/html" href="http://96.30.16.219/index.php?title=The_Daleks%27_Master_Plan&amp;diff=24153&amp;oldid=prev"/>
		<updated>2019-12-10T02:38:58Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 02:38, 10 December 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* It is not known what happened to the Australian prints. The ABC did not 'own' the prints -- in fact they never had them in their possession at all during the processes described above. In all likelihood, they'd have been returned to the BBC's Sydney office, and were subsequently shipped back to London.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* It is not known what happened to the Australian prints. The ABC did not 'own' the prints -- in fact they never had them in their possession at all during the processes described above. In all likelihood, they'd have been returned to the BBC's Sydney office, and were subsequently shipped back to London.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The '''[http://genome.ch.bbc.co.uk/f60bee360975472895cd4a6c394e6bce 25 October 1971''' edition of '''Blue Peter'''] used an extract from part 3, so it's clear that the BBC had or struck a print of that episode (at least) in 1971.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The '''[http://genome.ch.bbc.co.uk/f60bee360975472895cd4a6c394e6bce 25 October 1971''' edition of '''Blue Peter'''] used an extract from part 3, so it's clear that the BBC had or struck a print of that episode (at least) in 1971.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**NOTE: What is particularly curious about this clip is the clip itself. '''Blue Peter''' wanted to show-case the appearance by one of its presenters in '''Doctor Who''', so what clip do they choose to show? One with the Daleks in their spaceship that leads directly into one of Peter Purves in the SPAR. It wasn't one with the Daleks and Steven in ''the same scene together'', which you'd think would be what they would go for if such a scene was available to them (and such scenes do occur in parts ten and twelve). Could it be, therefore, that by late 1971 the BBC did not actually have that many prints featuring Purves and the Daleks (not even part 6 of [[The Chase]]?), so the clip from part 3 was the best from what was already a poor selection?  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**NOTE: What is particularly curious about this clip is the clip itself. '''Blue Peter''' wanted to show-case the appearance by one of its presenters in '''Doctor Who''', so what clip do they choose to show? One with the Daleks in their spaceship that leads directly into one of Peter Purves in the SPAR. It wasn't one with the Daleks and Steven in ''the same scene together'', which you'd think would be what they would go for if such a scene was available to them (and such scenes do occur in parts ten and twelve). Could it be, therefore, that by late 1971 the BBC did not actually have that many prints featuring Purves and the Daleks (not even part &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;3 or &lt;/ins&gt;6 of [[The Chase]]?), so the clip from part 3 was the best from what was already a poor selection?  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*BBC Enterprises had junked all 11 telerecording master negatives at some point between 1972 and 1974.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*BBC Enterprises had junked all 11 telerecording master negatives at some point between 1972 and 1974.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*By '''mid-1973''', the BBC still retained prints of episodes 2,3, and 4 (at least), although these copies were sited at different locations around London: episode two had been taken to the BBC's film studios in Ealing (from which it was &amp;quot;stolen&amp;quot; in 1973, and subsequently returned in 2004), whereas part three was at BBC Enterprises and four was kept in the film library. Part 4 was borrowed by the '''Blue Peter''' producers for use in their tenth anniversary clip montage (broadcast on '''[http://genome.ch.bbc.co.uk/a53c08f7455d4cf7824278f89380f326 5 November 1973]'''), but was never returned to its place of origin. At some point between '''1978''' and '''1983''', parts five and ten ended up in the basement of a Mormon church. Where they had been prior to 1978 is unknown. Whether these five prints were all part of the same set of 11 is unknown; nor is it known how they came to be separated in the first place.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*By '''mid-1973''', the BBC still retained prints of episodes 2,3, and 4 (at least), although these copies were sited at different locations around London: episode two had been taken to the BBC's film studios in Ealing (from which it was &amp;quot;stolen&amp;quot; in 1973, and subsequently returned in 2004), whereas part three was at BBC Enterprises and four was kept in the film library. Part 4 was borrowed by the '''Blue Peter''' producers for use in their tenth anniversary clip montage (broadcast on '''[http://genome.ch.bbc.co.uk/a53c08f7455d4cf7824278f89380f326 5 November 1973]'''), but was never returned to its place of origin. At some point between '''1978''' and '''1983''', parts five and ten ended up in the basement of a Mormon church. Where they had been prior to 1978 is unknown. Whether these five prints were all part of the same set of 11 is unknown; nor is it known how they came to be separated in the first place.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jon Preddle</name></author>
		
	</entry>
	<entry>
		<id>http://96.30.16.219/index.php?title=The_Daleks%27_Master_Plan&amp;diff=20253&amp;oldid=prev</id>
		<title>Jon Preddle at 22:48, 17 July 2016</title>
		<link rel="alternate" type="text/html" href="http://96.30.16.219/index.php?title=The_Daleks%27_Master_Plan&amp;diff=20253&amp;oldid=prev"/>
		<updated>2016-07-17T22:48:59Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 22:48, 17 July 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*A few months later, [[Barbados]] purchased Season 3 (see October 1967 newspaper clipping on that page); [[Mission to the Unknown]] and The Daleks' Master Plan were not available because of the Australian rejection and moratorium. It's therefore highly unlikely that the BBC would have struck any further prints of the serial in 1966 while they were awaiting word on whether a sale had been made to Australia, and certainly not during 1967 when the Dalek serials were off the catalogue.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*A few months later, [[Barbados]] purchased Season 3 (see October 1967 newspaper clipping on that page); [[Mission to the Unknown]] and The Daleks' Master Plan were not available because of the Australian rejection and moratorium. It's therefore highly unlikely that the BBC would have struck any further prints of the serial in 1966 while they were awaiting word on whether a sale had been made to Australia, and certainly not during 1967 when the Dalek serials were off the catalogue.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* It is not known what happened to the Australian prints. The ABC did not 'own' the prints -- in fact they never had them in their possession at all during the processes described above. In all likelihood, they'd have been returned to the BBC's Sydney office, and were subsequently shipped back to London.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* It is not known what happened to the Australian prints. The ABC did not 'own' the prints -- in fact they never had them in their possession at all during the processes described above. In all likelihood, they'd have been returned to the BBC's Sydney office, and were subsequently shipped back to London.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The '''25 October 1971''' edition of '''Blue Peter''' used an extract from part 3, so it's clear that the BBC had or struck a print of that episode (at least) in 1971.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The '''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[http://genome.ch.bbc.co.uk/f60bee360975472895cd4a6c394e6bce &lt;/ins&gt;25 October 1971''' edition of '''Blue Peter'''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;] &lt;/ins&gt;used an extract from part 3, so it's clear that the BBC had or struck a print of that episode (at least) in 1971.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**NOTE: What is particularly curious about this clip is the clip itself. '''Blue Peter''' wanted to show-case the appearance by one of its presenters in '''Doctor Who''', so what clip do they choose to show? One with the Daleks in their spaceship that leads directly into one of Peter Purves in the SPAR. It wasn't one with the Daleks and Steven in ''the same scene together'', which you'd think would be what they would go for if such a scene was available to them (and such scenes do occur in parts ten and twelve). Could it be, therefore, that by late 1971 the BBC did not actually have that many prints featuring Purves and the Daleks (not even part 6 of [[The Chase]]?), so the clip from part 3 was the best from what was already a poor selection?  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**NOTE: What is particularly curious about this clip is the clip itself. '''Blue Peter''' wanted to show-case the appearance by one of its presenters in '''Doctor Who''', so what clip do they choose to show? One with the Daleks in their spaceship that leads directly into one of Peter Purves in the SPAR. It wasn't one with the Daleks and Steven in ''the same scene together'', which you'd think would be what they would go for if such a scene was available to them (and such scenes do occur in parts ten and twelve). Could it be, therefore, that by late 1971 the BBC did not actually have that many prints featuring Purves and the Daleks (not even part 6 of [[The Chase]]?), so the clip from part 3 was the best from what was already a poor selection?  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*BBC Enterprises had junked all 11 telerecording master negatives at some point between 1972 and 1974.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*BBC Enterprises had junked all 11 telerecording master negatives at some point between 1972 and 1974.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*By '''mid-1973''', the BBC still retained prints of episodes 2,3, and 4 (at least), although these copies were sited at different locations around London: episode two had been taken to the BBC's film studios in Ealing (from which it was &amp;quot;stolen&amp;quot; in 1973, and subsequently returned in 2004), whereas part three was at BBC Enterprises and four was kept in the film library. Part 4 was borrowed by the '''Blue Peter''' producers for use in their tenth anniversary clip montage (broadcast on '''5 November 1973'''), but was never returned to its place of origin. At some point between '''1978''' and '''1983''', parts five and ten ended up in the basement of a Mormon church. Where they had been prior to 1978 is unknown. Whether these five prints were all part of the same set of 11 is unknown; nor is it known how they came to be separated in the first place.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*By '''mid-1973''', the BBC still retained prints of episodes 2,3, and 4 (at least), although these copies were sited at different locations around London: episode two had been taken to the BBC's film studios in Ealing (from which it was &amp;quot;stolen&amp;quot; in 1973, and subsequently returned in 2004), whereas part three was at BBC Enterprises and four was kept in the film library. Part 4 was borrowed by the '''Blue Peter''' producers for use in their tenth anniversary clip montage (broadcast on '''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[http://genome.ch.bbc.co.uk/a53c08f7455d4cf7824278f89380f326 &lt;/ins&gt;5 November 1973&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]&lt;/ins&gt;'''), but was never returned to its place of origin. At some point between '''1978''' and '''1983''', parts five and ten ended up in the basement of a Mormon church. Where they had been prior to 1978 is unknown. Whether these five prints were all part of the same set of 11 is unknown; nor is it known how they came to be separated in the first place.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**See our further musings on the [[Mormon Mystery|Mormon Church recovery here]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**See our further musings on the [[Mormon Mystery|Mormon Church recovery here]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*In all likelihood these were all from the set that had been sent to Australia in 1966 (and if so, had been returned to London years earlier than the 1975 bulk shipment of returns by the ABC), as it is difficult to comprehend why the BBC would have struck a second set of films for a story it could not sell. (It is a '''remote''' possibility that Enterprises had struck two sets in early 1966: one went to and remained in Australia, the other sat on the shelf in readiness for the second sale (which would have been to [[Barbados]] in 1967) but by 1971 only a couple of these were still held, otherwise you'd think '''Blue Peter''' would have used a far better choice of clips in 1971...)  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*In all likelihood these were all from the set that had been sent to Australia in 1966 (and if so, had been returned to London years earlier than the 1975 bulk shipment of returns by the ABC), as it is difficult to comprehend why the BBC would have struck a second set of films for a story it could not sell. (It is a '''remote''' possibility that Enterprises had struck two sets in early 1966: one went to and remained in Australia, the other sat on the shelf in readiness for the second sale (which would have been to [[Barbados]] in 1967) but by 1971 only a couple of these were still held, otherwise you'd think '''Blue Peter''' would have used a far better choice of clips in 1971...)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jon Preddle</name></author>
		
	</entry>
	<entry>
		<id>http://96.30.16.219/index.php?title=The_Daleks%27_Master_Plan&amp;diff=20041&amp;oldid=prev</id>
		<title>Jon Preddle at 20:26, 19 April 2016</title>
		<link rel="alternate" type="text/html" href="http://96.30.16.219/index.php?title=The_Daleks%27_Master_Plan&amp;diff=20041&amp;oldid=prev"/>
		<updated>2016-04-19T20:26:11Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 20:26, 19 April 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l25&quot; &gt;Line 25:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 25:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*By the time the moratorium had been lifted at the end of 1967, only [[New Zealand]] and [[Sierra Leone]], which were still lagging behind with screening the series, would have been in a position to include and schedule the serial with the rest of season three, but since neither country did buy this (and [[Mission to the Unknown]]) it must have been the cost that prevented them from doing so... (The cost of a serial was on a &amp;quot;per episode&amp;quot; basis; at 11 episodes, this was quite an expensive serial to buy.)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*By the time the moratorium had been lifted at the end of 1967, only [[New Zealand]] and [[Sierra Leone]], which were still lagging behind with screening the series, would have been in a position to include and schedule the serial with the rest of season three, but since neither country did buy this (and [[Mission to the Unknown]]) it must have been the cost that prevented them from doing so... (The cost of a serial was on a &amp;quot;per episode&amp;quot; basis; at 11 episodes, this was quite an expensive serial to buy.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Both [[Barbados]] and [[Zambia]] had screened as far as [[The Smugglers]] by the end of 1968, and probably wouldn't have been interested in buying and screening a story out of sequence.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Both [[Barbados]] and [[Zambia]] had screened as far as [[The Smugglers]] by the end of 1968, and probably wouldn't have been interested in buying and screening a story out of sequence.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* And because [[Singapore]] did not purchase season three until 1972 (as a &amp;quot;back-catalogue&amp;quot; package), it's likely that the sales rights to the 11-parter (usually five or seven years from first UK broadcast) had already lapsed and not been renewed, which would have prevented [[Singapore]] from buying the serial with the rest of the season.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* And because [[Singapore]] did not purchase season three until 1972 (as a &amp;quot;back-catalogue&amp;quot; package), it's likely that the sales rights to the 11-parter (usually five or seven years from first UK broadcast) had already lapsed and not been renewed &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;by the end of 1971&lt;/ins&gt;, which would have prevented [[Singapore]] from buying the serial with the rest of the season.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jon Preddle</name></author>
		
	</entry>
	<entry>
		<id>http://96.30.16.219/index.php?title=The_Daleks%27_Master_Plan&amp;diff=20040&amp;oldid=prev</id>
		<title>Jon Preddle at 20:25, 19 April 2016</title>
		<link rel="alternate" type="text/html" href="http://96.30.16.219/index.php?title=The_Daleks%27_Master_Plan&amp;diff=20040&amp;oldid=prev"/>
		<updated>2016-04-19T20:25:25Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 20:25, 19 April 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot; &gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*At the time the offer was made to [[Australia]] in early 1966, both [[Singapore]] and [[Gibraltar]] were coming to the end of their transmissions of season two; the BBC may have struck additional prints of this story in anticipation of a sale to those two countries. As it turned out, neither country picked up the option to continue with the series after [[The Time Meddler]]. (The two episodes found in 1983 may have been from a set of these unused 'additional' copies.)  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*At the time the offer was made to [[Australia]] in early 1966, both [[Singapore]] and [[Gibraltar]] were coming to the end of their transmissions of season two; the BBC may have struck additional prints of this story in anticipation of a sale to those two countries. As it turned out, neither country picked up the option to continue with the series after [[The Time Meddler]]. (The two episodes found in 1983 may have been from a set of these unused 'additional' copies.)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Even if the serial '''had''' been accepted and broadcast in [[Australia]] in 1966, the two other countries screening season three at the time - [[Barbados]] and [[Zambia]] - would probably have been denied broadcast rights anyway, because by the end of that year, the BBC had withdrawn the sale of all Dalek serials as part of their agreement with Terry Nation.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Even if the serial '''had''' been accepted and broadcast in [[Australia]] in 1966, the two other countries screening season three at the time - [[Barbados]] and [[Zambia]] - would probably have been denied broadcast rights anyway, because by the end of that year, the BBC had withdrawn the sale of all Dalek serials as part of their agreement with Terry Nation.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*By the time the moratorium had been lifted at the end of 1967, only [[New Zealand]] and [[Sierra Leone]], which were still lagging behind with screening the series, would have been in a position to include and schedule the serial with the rest of season three, but since neither country did buy this (and [[Mission to the Unknown]]) it must have been the cost that prevented them from doing so...&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*By the time the moratorium had been lifted at the end of 1967, only [[New Zealand]] and [[Sierra Leone]], which were still lagging behind with screening the series, would have been in a position to include and schedule the serial with the rest of season three, but since neither country did buy this (and [[Mission to the Unknown]]) it must have been the cost that prevented them from doing so... &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(The cost of a serial was on a &amp;quot;per episode&amp;quot; basis; at 11 episodes, this was quite an expensive serial to buy.)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Both [[Barbados]] and [[Zambia]] had screened as far as [[The Smugglers]] by the end of 1968, and probably wouldn't have been interested in buying and screening a story out of sequence.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Both [[Barbados]] and [[Zambia]] had screened as far as [[The Smugglers]] by the end of 1968, and probably wouldn't have been interested in buying and screening a story out of sequence.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* And because [[Singapore]] did not purchase season three until 1972 (as a &amp;quot;back-catalogue&amp;quot; package), it's likely that the sales rights to the 11-parter (usually five or seven years from first UK broadcast) had already lapsed and not been renewed, which would have prevented [[Singapore]] from buying the serial with the rest of the season.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* And because [[Singapore]] did not purchase season three until 1972 (as a &amp;quot;back-catalogue&amp;quot; package), it's likely that the sales rights to the 11-parter (usually five or seven years from first UK broadcast) had already lapsed and not been renewed, which would have prevented [[Singapore]] from buying the serial with the rest of the season.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jon Preddle</name></author>
		
	</entry>
	<entry>
		<id>http://96.30.16.219/index.php?title=The_Daleks%27_Master_Plan&amp;diff=20039&amp;oldid=prev</id>
		<title>Jon Preddle at 20:21, 19 April 2016</title>
		<link rel="alternate" type="text/html" href="http://96.30.16.219/index.php?title=The_Daleks%27_Master_Plan&amp;diff=20039&amp;oldid=prev"/>
		<updated>2016-04-19T20:21:13Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 20:21, 19 April 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot; &gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*By '''mid-1973''', the BBC still retained prints of episodes 2,3, and 4 (at least), although these copies were sited at different locations around London: episode two had been taken to the BBC's film studios in Ealing (from which it was &amp;quot;stolen&amp;quot; in 1973, and subsequently returned in 2004), whereas part three was at BBC Enterprises and four was kept in the film library. Part 4 was borrowed by the '''Blue Peter''' producers for use in their tenth anniversary clip montage (broadcast on '''5 November 1973'''), but was never returned to its place of origin. At some point between '''1978''' and '''1983''', parts five and ten ended up in the basement of a Mormon church. Where they had been prior to 1978 is unknown. Whether these five prints were all part of the same set of 11 is unknown; nor is it known how they came to be separated in the first place.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*By '''mid-1973''', the BBC still retained prints of episodes 2,3, and 4 (at least), although these copies were sited at different locations around London: episode two had been taken to the BBC's film studios in Ealing (from which it was &amp;quot;stolen&amp;quot; in 1973, and subsequently returned in 2004), whereas part three was at BBC Enterprises and four was kept in the film library. Part 4 was borrowed by the '''Blue Peter''' producers for use in their tenth anniversary clip montage (broadcast on '''5 November 1973'''), but was never returned to its place of origin. At some point between '''1978''' and '''1983''', parts five and ten ended up in the basement of a Mormon church. Where they had been prior to 1978 is unknown. Whether these five prints were all part of the same set of 11 is unknown; nor is it known how they came to be separated in the first place.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**See our further musings on the [[Mormon Mystery|Mormon Church recovery here]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**See our further musings on the [[Mormon Mystery|Mormon Church recovery here]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*In all likelihood these were all from the set that had been sent to Australia in 1966 (and if so, had been returned to London years earlier than the 1975 bulk shipment of returns by the ABC), as it is difficult to comprehend why the BBC would have struck a second set of films for a story it could not sell. (It is a '''remote''' possibility that Enterprises had struck two sets in early 1966: one went to and remained in Australia, the other sat on the shelf in readiness for the second sale (which would have been to [[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Zambia&lt;/del&gt;]] in 1967) but by 1971 only a couple of these were still held, otherwise you'd think '''Blue Peter''' would have used a far better choice of clips in 1971...)  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*In all likelihood these were all from the set that had been sent to Australia in 1966 (and if so, had been returned to London years earlier than the 1975 bulk shipment of returns by the ABC), as it is difficult to comprehend why the BBC would have struck a second set of films for a story it could not sell. (It is a '''remote''' possibility that Enterprises had struck two sets in early 1966: one went to and remained in Australia, the other sat on the shelf in readiness for the second sale (which would have been to [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Barbados&lt;/ins&gt;]] in 1967) but by 1971 only a couple of these were still held, otherwise you'd think '''Blue Peter''' would have used a far better choice of clips in 1971...)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* See also [[Hartnell Junkings]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* See also [[Hartnell Junkings]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jon Preddle</name></author>
		
	</entry>
	<entry>
		<id>http://96.30.16.219/index.php?title=The_Daleks%27_Master_Plan&amp;diff=20038&amp;oldid=prev</id>
		<title>Jon Preddle at 20:20, 19 April 2016</title>
		<link rel="alternate" type="text/html" href="http://96.30.16.219/index.php?title=The_Daleks%27_Master_Plan&amp;diff=20038&amp;oldid=prev"/>
		<updated>2016-04-19T20:20:16Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 20:20, 19 April 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot; &gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*By '''mid-1973''', the BBC still retained prints of episodes 2,3, and 4 (at least), although these copies were sited at different locations around London: episode two had been taken to the BBC's film studios in Ealing (from which it was &amp;quot;stolen&amp;quot; in 1973, and subsequently returned in 2004), whereas part three was at BBC Enterprises and four was kept in the film library. Part 4 was borrowed by the '''Blue Peter''' producers for use in their tenth anniversary clip montage (broadcast on '''5 November 1973'''), but was never returned to its place of origin. At some point between '''1978''' and '''1983''', parts five and ten ended up in the basement of a Mormon church. Where they had been prior to 1978 is unknown. Whether these five prints were all part of the same set of 11 is unknown; nor is it known how they came to be separated in the first place.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*By '''mid-1973''', the BBC still retained prints of episodes 2,3, and 4 (at least), although these copies were sited at different locations around London: episode two had been taken to the BBC's film studios in Ealing (from which it was &amp;quot;stolen&amp;quot; in 1973, and subsequently returned in 2004), whereas part three was at BBC Enterprises and four was kept in the film library. Part 4 was borrowed by the '''Blue Peter''' producers for use in their tenth anniversary clip montage (broadcast on '''5 November 1973'''), but was never returned to its place of origin. At some point between '''1978''' and '''1983''', parts five and ten ended up in the basement of a Mormon church. Where they had been prior to 1978 is unknown. Whether these five prints were all part of the same set of 11 is unknown; nor is it known how they came to be separated in the first place.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**See our further musings on the [[Mormon Mystery|Mormon Church recovery here]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**See our further musings on the [[Mormon Mystery|Mormon Church recovery here]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*In all likelihood these were all from the set that had been sent to Australia in 1966 (and if so, had been returned to London years earlier than the 1975 bulk shipment of returns by the ABC), as it is difficult to comprehend why the BBC would have struck a second set of films for a story it could not sell. (It is a '''remote''' possibility that Enterprises had struck two sets in early 1966: one went to and remained in Australia, the other sat on the shelf in readiness for &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;a &lt;/del&gt;second sale&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;but by 1971 only a couple of these were still held, otherwise you'd think '''Blue Peter''' would have used a far better choice of clips in 1971...)  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*In all likelihood these were all from the set that had been sent to Australia in 1966 (and if so, had been returned to London years earlier than the 1975 bulk shipment of returns by the ABC), as it is difficult to comprehend why the BBC would have struck a second set of films for a story it could not sell. (It is a '''remote''' possibility that Enterprises had struck two sets in early 1966: one went to and remained in Australia, the other sat on the shelf in readiness for &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the &lt;/ins&gt;second sale &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(which would have been to [[Zambia]] in 1967) &lt;/ins&gt;but by 1971 only a couple of these were still held, otherwise you'd think '''Blue Peter''' would have used a far better choice of clips in 1971...)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* See also [[Hartnell Junkings]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* See also [[Hartnell Junkings]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jon Preddle</name></author>
		
	</entry>
	<entry>
		<id>http://96.30.16.219/index.php?title=The_Daleks%27_Master_Plan&amp;diff=19643&amp;oldid=prev</id>
		<title>Jon Preddle at 20:56, 30 November 2015</title>
		<link rel="alternate" type="text/html" href="http://96.30.16.219/index.php?title=The_Daleks%27_Master_Plan&amp;diff=19643&amp;oldid=prev"/>
		<updated>2015-11-30T20:56:59Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 20:56, 30 November 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The serial was planned as a 12-parter. However, from the stage directions in the rehearsal and camera scripts for parts six and seven, particularly with regards to the &amp;quot;NEXT EPISODE&amp;quot; captions, it would seem that by the time the serial was '''made''', it was being treated as an 11-parter (the serial would be sold as such to foreign broadcasters), but with an additional episode screened at Christmas, but only for consumption in the UK; and as such, part seven was never telerecorded.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The serial was planned as a 12-parter. However, from the stage directions in the rehearsal and camera scripts for parts six and seven, particularly with regards to the &amp;quot;NEXT EPISODE&amp;quot; captions, it would seem that by the time the serial was '''made''', it was being treated as an 11-parter (the serial would be sold as such to foreign broadcasters), but with an additional episode screened at Christmas, but only for consumption in the UK; and as such, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the Christmas-themed &lt;/ins&gt;part seven was never telerecorded.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*In other words, '''The Daleks' Master Plan''' should really be regarded as an 11-parter with a special Christmas episode '''added''' for UK viewers, rather than as a 12-parter, with an episode '''removed''' from foreign sale. Put another way, it's an 11-parter which, after its sixth episode on 18 December 1965, took a fortnight's break before resuming on New Years Day 1966; meanwhile its replacement on 25 December 1965 was a one-off episode of '''Doctor Who'''...&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*In other words, '''The Daleks' Master Plan''' should really be regarded as an 11-parter with a special Christmas episode '''added''' for UK viewers, rather than as a 12-parter, with an episode '''removed''' from foreign sale. Put another way, it's an 11-parter which, after its sixth episode on 18 December 1965, took a fortnight's break before resuming on New Years Day 1966; meanwhile its replacement on 25 December 1965 was a one-off episode of '''Doctor Who'''...&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The 11-part serial (minus the Christmas 'special') was offered to [[Australia]] in '''March 1966''', along with [[Galaxy 4]], [[Mission to the Unknown]], and [[The Myth Makers]].   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The 11-part serial (minus the Christmas 'special') was offered to [[Australia]] in '''March 1966''', along with [[Galaxy 4]], [[Mission to the Unknown]], and [[The Myth Makers]].   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jon Preddle</name></author>
		
	</entry>
</feed>